Коллекция MIRAGE

Серия диванов с каркасом из окрашенного металла. Набивка из эластичного пенополиуретана различной плотности.

ерия модульных диванов с каркасом из многослойной фанеры и массива бука. Основание из металла и массива ореха каналетто.

ерия модульных диванов с каркасом из многослойной фанеры и массива бука. Основание из металла и массива ореха каналетто.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука. Набивка из эластичного пенополиуретана различной плотности.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука, основание из окрашенного металла в доступных вариантах отделки.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука, основание из окрашенного металла в доступных вариантах отделки.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука, основание из окрашенного металла в доступных вариантах отделки.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука, основание из окрашенного металла в доступных вариантах отделки.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука, основание из окрашенного металла в доступных вариантах отделки.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Мебель для ТВ с 4 створками.

Мебель для ТВ с 4 створками.

Мебель для ТВ с 4 створками, каркас из дерева.

Изделие имеет изящный контур. Много симметрии, мотивов точности и конкретики.

Изделие имеет изящный контур. Форма навевает на мотивы ленивого домашнего воскресенья, когда можно позволить подольше отдохнуть в постели. Также и изделие лениво раскидывает свои вензеля.

Изделие имеет изящный контур. Стеклянные ледяные капли будто застыли в корпусе этой люстры.

Изделие имеет изящный контур. Легкое и тонкое основание, как весенняя капель спадающее с яркого огоньком-лампы, освещающее своим хрупким строением все пространство.

Putting the coarse before the fine, preferring a choice that goes against the trend of the more common research on the thin shape. And, despite this, keep yourself light, light. The project is thus structured around the most reassuring aspect of oversize: simplicity. The essential and sturdy structure is built with a powder-coated aluminum tube with a diameter of 80 mm. Resting on it, a seat cushion with a rounded body, a veiled suggestion to the idea of ​​the inflatable module. The backrest, like a bold parenthesis, promises comfort. The effect, in addition to the natural sympathy, is that of a pleasant roundness, casual and light.
Seat in fire-retardant non-deformable polyurethane foam with differentiated densities and polyester fiber with internal wooden structure. Back in injected flame-retardant foam and polyester fiber. Sled base in chromed or painted steel. Transparent PVC insoles. The Pipe collection is not removable.

Rift, a loanword which in geology means crack, is a seating system that crosses the spaces of contemporary domestic living. Unlike modular systems based on the rational use of geometry, Rift is built on an unpredictable and asymmetrical arrangement of volumes, a designed randomness inspired by the unpredictable effects of nature. Multi-level pitches stimulate an informal session, also for the staff in collective use: like tectonic plates, the different layers tend to collide and overlap in an original effect of movement, making rigid and formal places fluid without altering their identity.
Elements in fire-retardant non-deformable polyurethane foam with different densities and polyester fiber with internal wooden structure. Feet in black polypropylene screwed to the structure. The Rift collection is not removable.

A collection characterized by the combination of two volumes, an upholstered shell that continuously wraps the large seat cushions. Curved shapes enhanced by the total absence of edges and the softness of the fabric, a sensory stimulus embellished with a quilted decoration where the thread, like a pencil, marks an elegant three-dimensional geometry. Redondo, in the design, is inspired by the upholstered interiors of American cars of the 1950s and 1960s, the soft shapes of the bodywork, the on-the-road comfort that accompanied on long journeys between the East and West Coast. For the viewer, the point of view is that of a stage where small everyday stories happen.
Elements in differentiated density polyurethane foam and polyester fiber with internal wooden structure. The seat cushions are in polyurethane foam and polyester fiber. The optional back cushions are in goose down. The Redondo collection is removable

The Modernista project is inspired by tailored men's suits: wonderfully sewn garments, with a refined taste for materials and details. Modernist strictly follows the geometric structure of the rectangle, within which it is possible to explore light shapes and exact proportions. The light padding is softened by the use of buttons that recall a delicate capitonné workmanship as well as creating a delicate and elegant decoration.
A refined collection with a classic flavor designed to offer discreet elegance to those environments that require a touch of lightness, without sacrificing attention to detail.

A sofa, a variable landscape made up of elementary shapes in dynamic relationship with each other. Patricia Urquiola deconstructs the classic sofa, redesigns it starting from a synthesis of surface. Essentiality, definition, dynamism and transformation thus become the trait d’union that unites formally separate elements: seat, backrest, armrests are modules to be coordinated, combined, reconfigured indefinitely. The designer, in 2000, anticipates what today is taken for granted, designing in the future a system that becomes a single body, a project that goes beyond modularity as a function for maximum compositional freedom dedicated to comfort and elegance.
Non-deformable polyurethane foam with different densities and polyester fiber with internal wooden structure. Sled feet in stainless steel tube. PVC insoles on request. The Lowland collection is easily removable by removing the armrests and backrest.

This seating system can be covered with various fabrics, cotton, linen, plain and prints. exactly like the famous mannequins of the haute couture ateliers. Josh was designed to be lived in and to be a place to spend the day. It is the centerpiece of the living room, the place where everything begins. It feels as comfortable in a city loft as it is in a beach house thanks to the natural touch of cotton, with a texture sewn on it reminiscent of traditional Japanese futons and ikebana printed on linen that are a perfect match between the rough natural fabric and the most modern printing technology.
Bases in injected flame-retardant polyurethane and polyester fiber with internal structure in wood and steel. The seat cushions are in goose down with a polyurethane foam insert. The backrest, armrest and optional cushions are in goose down.
Feet in powder coated steel tube or painted ash wood. The Josh collection is removable.

The Modernist collection - despite having roots and references in Modernism - stands out for its ambitious attempt to integrate the figurative component, typical of the works of Nipa Doshi and Jonathan Levien, with the linear rationality of the geometric structure of the rectangle. The result, in terms of formal innovation, is an achievement. The two designers contrast the classicism of the composition, the proper attention to the rendering of surfaces and materials, the accentuation of a few significant details: the central button denies and at the same time reworks the bourgeois charm of the capitonné workmanship, while the base moderates the aesthetics of industrial processing, updated in the choice of colors and in the use of laser-cut steel, folded and welded into a single structure. With Casa modernista - a veiled homage to Gregori Warchavchik, a Russian-Ukrainian architect recognized for his role as promoter of modern architecture in Brazil in the 1920s - the formal precision and objective sobriety present in the first models softens towards a greater openness to relaxation and to spontaneity.
The cushions lose their rigor, the seat becomes deeper and more welcoming, the lines relaxed. The sofa, in the change, becomes the transition space between opposing interpretations of time: productive and disconnected, relational and private, temporary and continuous. Casa Modernista completes the basic Modernista project with two sofas modified in size and comfort. Thought for a more residential use, the sofas still maintain the distinctive qualities of the initial project.
Fire-retardant polyurethane foam with different densities and polyester fiber with internal wooden structure. Seat with steel supporting structure and elastic belts. Laser-cut, shaped and powder-coated steel base. Cushions with polyurethane foam insert, polyester fiber and memory foam chip. The Casa Modernista 1 collection is removable. Leather is fixed.