Коллекция MIRAGE

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Мебель для ТВ с 4 створками.

Мебель для ТВ с 4 створками.

Мебель для ТВ с 4 створками, каркас из дерева.

Мебель для ТВ с 2 створками и 1 ящиком.

Мебель для ТВ с 2 створками и 1 ящиком.

Изделие имеет изящный контур. Форма навевает на мотивы легендарного балета.

Изделие имеет изящный контур. Форма навевает на арабские мотивы.

A collection characterized by the combination of two volumes, an upholstered shell that continuously wraps the large seat cushions. Curved shapes enhanced by the total absence of edges and the softness of the fabric, a sensory stimulus embellished with a quilted decoration where the thread, like a pencil, marks an elegant three-dimensional geometry. Redondo, in the design, is inspired by the upholstered interiors of American cars of the 1950s and 1960s, the soft shapes of the bodywork, the on-the-road comfort that accompanied on long journeys between the East and West Coast. For the viewer, the point of view is that of a stage where small everyday stories happen.
Wooden frame covered with differentiated density polyurethane foam. Net supports adjustable in height, the feet are in black polypropylene 70mm. It can only contain mattresses with European standard sizes. The fabric used to cover the collection is quilted to a design by designer Patricia Urquiola. Redondo beds are removable.

A functional sculpture, an enveloping and comfortable reading chair, resistant but at the same time light, suspended as if to defeat gravity. Paper Planes was born from the design of a fabric inspired by graph paper: a shape derived from folding and pointing paper exploring shapes and structures, producing angles, lines and polygons. The apparent simplicity, however, requires a masterful sartorial skill. During the basting phase, the lines of the decoration, given the geometric particularity of the seat, impose a perfect convergence, not leaving the master craftsman the slightest margin for error.
Cold-foamed fire-retardant polyurethane foam with internal steel structure. Base in square steel tube painted with matte finish. Steel insoles with brass or chrome finish. The color combinations of the Paper planes collection coverings shown on the following pages are recommended by the designers. Versions available in graphic jacquard, with Swarovski crystals or in Hallingdal plain color and embroidered designer signature. The Hallingdal solid color version is available at the same price even without an embroidered signature: specify WITHOUT EMBROIDERY on the order. The Paper planes collection is not removable.

A collection characterized by the combination of two volumes, an upholstered shell that continuously wraps the large seat cushions. Curved shapes enhanced by the total absence of edges and the softness of the fabric, a sensory stimulus embellished with a quilted decoration where the thread, like a pencil, marks an elegant three-dimensional geometry. Redondo, in the design, is inspired by the upholstered interiors of American cars of the 1950s and 1960s, the soft shapes of the bodywork, the on-the-road comfort that accompanied on long journeys between the East and West Coast. For the viewer, the point of view is that of a stage where small everyday stories happen.
Elements in differentiated density polyurethane foam and polyester fiber with internal wooden structure. The seat cushions are in polyurethane foam and polyester fiber. The optional back cushions are in goose down. The Redondo collection is removable

The Modernista project is inspired by tailored men's suits: wonderfully sewn garments, with a refined taste for materials and details. Modernist strictly follows the geometric structure of the rectangle, within which it is possible to explore light shapes and exact proportions. The light padding is softened by the use of buttons that recall a delicate capitonné workmanship as well as creating a delicate and elegant decoration.
A refined collection with a classic flavor designed to offer discreet elegance to those environments that require a touch of lightness, without sacrificing attention to detail.

Blocks blunted by the cut of an imaginary blade. The geometric order is broken, overwhelmed in favor of a movement, of a margin that crosses the perimeters. The faces show the ribs; some seams, evident as basting, draw it, others disappear. Use is free, the surface is soft. The external shape, fr om the point of view of volumes, appears independent of the structure and internal padding. Sofa, armchair, small armchair: a modular system wh ere each element maintains its character independent, for function and sculptural presence.
Seat in fire-retardant non-deformable polyurethane foam with differentiated densities and polyester fiber with internal wooden structure. Back and armrests in injected flame-retardant foam with internal steel structure. The M.A.S.S.A.S. it is removable. The fabrics of the collection are coupled with polyester fiber and polyurethane to give special support to the upholstery.

A sofa, a variable landscape made up of elementary shapes in dynamic relationship with each other. Patricia Urquiola deconstructs the classic sofa, redesigns it starting from a synthesis of surface. Essentiality, definition, dynamism and transformation thus become the trait d’union that unites formally separate elements: seat, backrest, armrests are modules to be coordinated, combined, reconfigured indefinitely. The designer, in 2000, anticipates what today is taken for granted, designing in the future a system that becomes a single body, a project that goes beyond modularity as a function for maximum compositional freedom dedicated to comfort and elegance.
Non-deformable polyurethane foam with different densities and polyester fiber with internal wooden structure. Sled feet in stainless steel tube. PVC insoles on request. The Lowland collection is easily removable by removing the armrests and backrest.

A narrative path that represents the natural continuation of the language expressed with the Lowland project. The central element of Highlands is movement, the possible verticality inherent in the characteristics of the armrests and backrests. Two possible positions, a sinuous movement, almost organic, never mechanical or performing. Plasticity that determines an inevitable modularity of the elements. A strong expression of the surfaces is the set of coatings, cutting solutions, sewing details of the covers, and the sartorial care with which they are made. A tribute to the spirit-couture of the textile attitude shared by both the designer and the company itself.
Seat in non-deformable polyurethane foam with different densities and polyester fiber with internal wooden structure. Backrest and armrest in injected flame-retardant foam and polyester fiber with internal steel structure and tilting mechanism. The feet screwed to the structure are in black polypropylene. The elements are joined together by means of a black ABS coupling device. The Highlands collection is removable.

The Gemma collection has evolved around the idea of contrast and the experience that comes from the perception of a shape. The sharp asymmetry of its three-dimensional geometry contrasts with the softness of its padding. Its faceted profile evokes both a precious stone and the typical compositions of Italian tapestries of the fifteenth century. The collection is representative of the synergy between the complex geometries of Libeskind and the well-known know-how of Moroso.
Libeskind was deeply inspired by natural geological forms: crystals, gems, natural rock formations. For the Moroso collection, the design incorporates the asymmetrical facets of gems and has a dual meaning: to create a sculpture for the home or office and to connect with Libeskind's work.
Non-deformable fire-retardant polyurethane foam in different densities with internal structure in resin-coated polystyrene. The Gemma collection is not removable.

Normality as intuition, as a principle of formal research that requires referring to tradition and, at the same time, denying it. There is no desire to break, no attempt to redefine aesthetic standards or models, but rather the will to rediscover the path of "timelessness" in the idea of simple, balanced and functional elegance. The attention then falls on the value of the coatings, on the quality of the finishes and details, on the small adjustments made to make the experience of beauty daily (and normal).
Injected flame-retardant foam and polyester fiber with internal steel structure. Feet in powder coated steel. Polypropylene insoles. The cushions are in differentiated density polyurethane foam and polyester fiber. The Bold collection is removable.

Настенный светильник Chloè выполнен с использованием геометрических форм и классических линий.

Комод с выдвижными ящиками. Декорирован  металлическими элементами.

Комод с выдвижными ящиками. Декорирован  металлическими элементами.

Комод с выдвижными ящиками. Декорирован  металлическими элементами.

Комод с выдвижными ящиками. Декорирован  металлическими элементами.

Прикроватная тумбочка с выдвижным ящиком.

Кровать Lungarno выполнена в итальянском стиле.

Для данной модели, совсем не случайно, было выбрано итальянское слово –Curve, означающее «Изогнутый».

Диван Neri имеет утонченный силуэт и мягкие формы, что дарит ему исключительный комфорт.

Прикроватная тумбочка с выдвижным ящиком.

Спальня словно из восточной сказки: именно такую атмосферу удается воссоздать с помощью кровати Komo.

Кровать с важным изголовьем, призванная привлекать внимание.

Кровать с простым видом. Деревянную конструкцию оживляют две боковые полки, которые прорастают, как цветы.