Коллекция MIRAGE

Blocks blunted by the cut of an imaginary blade. The geometric order is broken, overwhelmed in favor of a movement, of a margin that crosses the perimeters. The faces show the ribs; some seams, evident as basting, draw it, others disappear. Use is free, the surface is soft. The external shape, fr om the point of view of volumes, appears independent of the structure and internal padding. Sofa, armchair, small armchair: a modular system wh ere each element maintains its character independent, for function and sculptural presence.
Seat in fire-retardant non-deformable polyurethane foam with differentiated densities and polyester fiber with internal wooden structure. Back and armrests in injected flame-retardant foam with internal steel structure. The M.A.S.S.A.S. it is removable. The fabrics of the collection are coupled with polyester fiber and polyurethane to give special support to the upholstery.

Sushi, Karkaoma, Juju, Donut, Joy, damask embroidery, oriental symbols, floral decorations and techno-grids: a collection that finds a very strong identity reference in the overlapping density. Accumulation of stimuli, reading follows the order of a list, a crazy and maniacal flow that ranges fr om architectural forms to different cultural imaginaries. Tradition, future, digital rationality, three-dimensional, romantic and psychedelic intoxication, visual melting pot, horror vacui textiles, harmony, shamelessness, kindness and geometric severity ... an endless succession of images and visions, which neither frightens nor frightens but welcomes in a soft , hypnotic kaleidoscope.
The Blue Edition of Sushi Collection for Moroso is inspired by the original Sushi series, a playful range of sophisticated seating for lounge areas. While the original line is characterized by an abundance of colors, the Blue Edition has a more majestic presence, with delicate geometric patterns on hues ranging from cerulean to royal blue to cobalt. In addition, the collection will also include variations in red, green and gray.
Sushi Collection is designed to offer a wide range of seating options for lounge areas: outdoor benches and ottomans, high-backed chairs for intimate conversations and face-to-face appointments. The surprising variety of shapes transforms spaces into landscapes wh ere harmonious colors and patterns form the glue between the various elements. All fabrics are made from sturdy and exceptionally comfortable materials from Febrik.
Non-deformable fire-retardant polyurethane foam with different densities and polyester fiber with internal wooden structure. Sofas with painted beech feet screwed to the structure. The Sushi collection is not removable, with the exception of the cushions.

This seating system can be covered with various fabrics, cotton, linen, plain and prints. exactly like the famous mannequins of the haute couture ateliers. Josh was designed to be lived in and to be a place to spend the day. It is the centerpiece of the living room, the place where everything begins. It feels as comfortable in a city loft as it is in a beach house thanks to the natural touch of cotton, with a texture sewn on it reminiscent of traditional Japanese futons and ikebana printed on linen that are a perfect match between the rough natural fabric and the most modern printing technology.
Bases in injected flame-retardant polyurethane and polyester fiber with internal structure in wood and steel. The seat cushions are in goose down with a polyurethane foam insert. The backrest, armrest and optional cushions are in goose down.
Feet in powder coated steel tube or painted ash wood. The Josh collection is removable.

A narrative path that represents the natural continuation of the language expressed with the Lowland project. The central element of Highlands is movement, the possible verticality inherent in the characteristics of the armrests and backrests. Two possible positions, a sinuous movement, almost organic, never mechanical or performing. Plasticity that determines an inevitable modularity of the elements. A strong expression of the surfaces is the set of coatings, cutting solutions, sewing details of the covers, and the sartorial care with which they are made. A tribute to the spirit-couture of the textile attitude shared by both the designer and the company itself.
Seat in non-deformable polyurethane foam with different densities and polyester fiber with internal wooden structure. Backrest and armrest in injected flame-retardant foam and polyester fiber with internal steel structure and tilting mechanism. The feet screwed to the structure are in black polypropylene. The elements are joined together by means of a black ABS coupling device. The Highlands collection is removable.

The stylistic signature of the Heartbreaker sofas is in the design of the armrest, which represents half of a heart, or a broken heart, which is playfully reassembled in the combinations of sofas placed side by side. Hence the name, which playfully speaks of a broken heart or ironically alludes to a "heartbreaker".
The Heartbreaker sofa collection was designed as a contract system: the sofa project combines pure volumes and simple geometric shapes with extreme comfort, making the product, designed for intensive use, also suitable for domestic use.
A second element that strongly characterizes the product is the metal profile at the base, available in different finishes, which visually allows you to lift and lighten the important presence of the sofa above, giving it kindness and personality, as if to indicate the signature of the Danish designer for Moroso.

The Gogan collection owes its name to nature and in particular to the Japanese stones smoothed by time and water, which were a source of inspiration for this project.
This is the name of the Japanese stones placed on the banks of rivers and lakes to protect and embellish the banks. The shapes of the sofa, as well as those of the armchair, are reminiscent of soft stones sculpted by the wind and water, massive but at the same time soft, on which to rest.
As in the stone sculptures, where the stones are balanced by virtue of the joints and position, in the sofa and in the Gogan armchair the balance between the elements is given by the shape, not too regular: thanks to a play of gravity and balances, shapes that should be heavy can be light.
The seats are soft and irregular and the seat structure is slightly inclined towards the rear; this gives the pieces of the collection extreme comfort and allows to keep the backrest lower. Back and seat are joined by buttresses that give an idea of ​​lightness.

A project born from the search for a rigorous and measured comfort, containing but with a hint of deformation. Gentry communicates tradition, distinction and belonging, in the rediscovered courage to contrast with subtle irony, the negative judgment of the term "bourgeoisie". The sofa first of all expresses a way of being, a sensitive attitude prone to restoring the balance between discipline and free gesture. The large independent back and seat cushions make conventional as well as casual positions comfortable: “good manners” re-evaluate behaviors that are sometimes disapproved of, it is nice to lie down, rest, read.
Injected flame-retardant foam and polyester fiber with internal steel structure. Bridge feet in chromed or powder coated steel tube. The seat cushions are in goose down with a polyurethane foam insert. The backrest, armrest and optional cushions are in goose down. The Gentry collection is removable.

The Gemma collection has evolved around the idea of contrast and the experience that comes from the perception of a shape. The sharp asymmetry of its three-dimensional geometry contrasts with the softness of its padding. Its faceted profile evokes both a precious stone and the typical compositions of Italian tapestries of the fifteenth century. The collection is representative of the synergy between the complex geometries of Libeskind and the well-known know-how of Moroso.
Libeskind was deeply inspired by natural geological forms: crystals, gems, natural rock formations. For the Moroso collection, the design incorporates the asymmetrical facets of gems and has a dual meaning: to create a sculpture for the home or office and to connect with Libeskind's work.
Non-deformable fire-retardant polyurethane foam in different densities with internal structure in resin-coated polystyrene. The Gemma collection is not removable.

A collection that, from Big Easy, a steel armchair created by Ron Arad in 1988, demonstrates how a volume, as a simple form, can be translated, without compromising its design principles, through a reinterpretation of materials and production processes. The model obtained from the constructive gesture thus becomes industrial production; the visual softness and the fullness of volumes, comfort. Big Easy explores rotational molding and the use of polyethylene; in the Soft version, cold foaming and, with the polyester fiber coating, the tactile transformation of the surface; in the elements of the collection, the morphology and dynamics of the form.
Internal structure in steel and non-deformable polyurethane foam covered with polyester fiber. The Spring collection is not removable.

From the hand that alone draws on the paper during a phone call, traces of thought come out. Innocent reflections marked by an accumulative progression, spontaneous gestures, scribbles; one starts from a line, one arrives at an articulated and complex composition. It is the pretext for embroidery. The sofa project takes the shape of a folded blanket. The seat is delicate, absorbed, the armrests soft, the shape welcoming. The quilted upholstery follows the lines of the scribble, giving it three-dimensionality. It is a thought that welcomes us, a daydream.
Injected flame-retardant foam and polyester fiber with internal structure in resin and steel. Feet in steel tube powder coated and covered in leather with insoles in black polypropylene. A very soft leather should be used, the Elmo Soft or Soft Ciré with embroideries always in tone with the skin color available in many colors. The Doodle collection is not removable.

An intuition derived fr om the language of carpentry is the distinctive feature of a new modular system for its formal construction and innovative for its compositional flexibility. If from a literal point of view the term chamfer indicates a bevel created with the 45 ° cut of a right angle, in the sofa it expresses a double expansion of perspective, aesthetic and functional. Externally, the bevel softens and acts as a guide, giving the overall dimensions a spatial and architectural value; internally, the angle encloses and supports, favoring a versatile seating style that is well suited to the home environment as well as to use in public spaces.
Through five modules, different in terms of extension and depth, and a single connection, it is possible to imagine a multiplicity of combinations, from the simple specular juxtaposition to the most complex geometric sequences. The sign is strong, recognizable in the references to the deconstruction carried out with Lowland (2000) and to the sophisticated design of Redondo (2010) or M.a.s.s.a.s (2012). The term "chamfer" refers to the architectural detail of the "rounded corner". Hence the plan shape of the sofa, which characterizes all the elements of the seating system. Versatile, flexible, sumptuous, these sofas welcome us in a big and elegant embrace.
The Chamfer sofa celebrates Moroso's twenty years of collaboration with Patricia Urquiola: "In discussing this anniversary with Patrizia, for the twenty years of collaboration, we decided to work on a simplification of a series of echoes deriving from projects made in the past , for example by linking us to Redondo and other sofas which for us represented a sort of 'cradle', a nest. We lowered, we geometrized, we brought to purer, cleaner lines and this corner came out, this broken edge as the English say, this Chamfer, a word that recurs in architecture wh ere, when we join two lines in a curve, we join them in chamfer. "(Patricia Urquiola)
Non-deformable fire-retardant cold-foam polyurethane foam with differentiated density and polyester fiber with internal wooden structure. Feet in black polypropylene. Optional cushions in polyester fiber and memory foam chip. All elements are supplied complete with ABS joining devices. The Chamfer 1 collection is removable.

Кровать с жестким основанием, структура из ДСП. Прокладка из пенополиуретана. Ноги из окрашенного черного дерева бука (высота 12 см). Съемный текстильный чехол.

Современная и стильная настольная лампа Abilene, это образец комфорта и итальянского мастерства, который украсит собой любое пространство.

Навеянный 60ми годами, дизайн буфета Lena, несет в себе свежий взгляд на современность, а некий винтаж придает всему образу эксклюзивности.

Люстра выполнена из тонких металлических палочек, расположенных параллельно друг другу. Создается ощущение теплого летнего лесного дождя. Особенно выгодно изделие смотрится в светлых пространствах, гостиных и столовых.

Комод с выдвижными ящиками. Декорирован  металлическими элементами.

Комод с выдвижными ящиками. Декорирован  металлическими элементами.

Комод с выдвижными ящиками. Декорирован  металлическими элементами.

Комод Oro – великолепный предмет интерьера, который украсит собой любое пространство.

Тумба Oro – великолепный предмет интерьера, который украсит собой любое пространство.

Тумба Paris – великолепный предмет интерьера, который украсит собой любое пространство.

Комод Brunelleschi имеет современный силуэт с классической душой.

Кровать Lungarno выполнена в итальянском стиле.

Диван Neri имеет утонченный силуэт и мягкие формы, что дарит ему исключительный комфорт.

Прикроватная тумбочка с выдвижным ящиком.

Прикроватная тумбочка с выдвижным ящиком.

Прикроватная тумбочка с выдвижным ящиком.

Нежные красные бархатные розы на изящной структуре из белой кожи капитоне.

Спальня словно из восточной сказки: именно такую атмосферу удается воссоздать с помощью кровати Komo.

Кровать с важным изголовьем, призванная привлекать внимание.