Коллекция MIRAGE

Серия модульных диванов с каркасом из многослойной фанеры и массива бука, основание из окрашенного металла в доступных вариантах отделки.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Изделие имеет изящный контур. Форма навевает на мотивы ленивого домашнего воскресенья, когда можно позволить подольше отдохнуть в постели. Также и изделие лениво раскидывает свои вензеля.

Изделие имеет изящный контур. Форма навевает на мотивы легендарного балета.

Изделие имеет изящный контур. Форма навевает на мотивы легендарного балета.

Изделие напоминает драгоценный камень, подмешанный на устойчивые металлические основания.

Изделие напоминает драгоценный камень, подмешанный на устойчивые металлические основания.

Изделие имеет изящный контур. Форма напоминает зависшую в воздухе летающую тарелку.

Изделие имеет изящный контур. Стеклянные ледяные капли будто застыли в корпусе этой люстры.

Изделие с кубом в основании. Геометрию подчеркивает минималистичный выбор качественных материалов.

A sofa, a variable landscape made up of elementary shapes in dynamic relationship with each other. Patricia Urquiola deconstructs the classic sofa, redesigns it starting from a synthesis of surface. Essentiality, definition, dynamism and transformation thus become the trait d’union that unites formally separate elements: seat, backrest, armrests are modules to be coordinated, combined, reconfigured indefinitely. The designer, in 2000, anticipates what today is taken for granted, designing in the future a system that becomes a single body, a project that goes beyond modularity as a function for maximum compositional freedom dedicated to comfort and elegance.
Upholstered headboard and bed sides. It can only contain mattresses with European standard sizes.

Born from the desire to break free from the angular and cubic lines typical of modern sofas, Josephine is characterized by rounded and sinuous shapes that give life to the armrests and back, three distinct pieces that embrace the seat like the petals the corolla of a flower. The proportions are gentle, further lightened by the seat visibly raised from the ground.
A product balanced in its proportions that evokes its femininity from its name, a deliberate reference to Joséphine Baker, an emancipated character and icon of provocation in the 1930s, known for her African-American beauty, but also for her marked irony and her transformism.
Available in sofa or vis-à-vis variants designed for contract, but easily declinable also in a domestic version.

Sushi, Karkaoma, Juju, Donut, Joy, damask embroidery, oriental symbols, floral decorations and techno-grids: a collection that finds a very strong identity reference in the overlapping density. Accumulation of stimuli, reading follows the order of a list, a crazy and maniacal flow that ranges fr om architectural forms to different cultural imaginaries. Tradition, future, digital rationality, three-dimensional, romantic and psychedelic intoxication, visual melting pot, horror vacui textiles, harmony, shamelessness, kindness and geometric severity ... an endless succession of images and visions, which neither frightens nor frightens but welcomes in a soft , hypnotic kaleidoscope.
The Blue Edition of Sushi Collection for Moroso is inspired by the original Sushi series, a playful range of sophisticated seating for lounge areas. While the original line is characterized by an abundance of colors, the Blue Edition has a more majestic presence, with delicate geometric patterns on hues ranging from cerulean to royal blue to cobalt. In addition, the collection will also include variations in red, green and gray.
Sushi Collection is designed to offer a wide range of seating options for lounge areas: outdoor benches and ottomans, high-backed chairs for intimate conversations and face-to-face appointments. The surprising variety of shapes transforms spaces into landscapes wh ere harmonious colors and patterns form the glue between the various elements. All fabrics are made from sturdy and exceptionally comfortable materials from Febrik.
Non-deformable fire-retardant polyurethane foam with different densities and polyester fiber with internal wooden structure. Sofas with painted beech feet screwed to the structure. The Sushi collection is not removable, with the exception of the cushions.

This seating system can be covered with various fabrics, cotton, linen, plain and prints. exactly like the famous mannequins of the haute couture ateliers. Josh was designed to be lived in and to be a place to spend the day. It is the centerpiece of the living room, the place where everything begins. It feels as comfortable in a city loft as it is in a beach house thanks to the natural touch of cotton, with a texture sewn on it reminiscent of traditional Japanese futons and ikebana printed on linen that are a perfect match between the rough natural fabric and the most modern printing technology.
Bases in injected flame-retardant polyurethane and polyester fiber with internal structure in wood and steel. The seat cushions are in goose down with a polyurethane foam insert. The backrest, armrest and optional cushions are in goose down.
Feet in powder coated steel tube or painted ash wood. The Josh collection is removable.

This seating system can be covered with various fabrics, cotton, linen, plain and prints. exactly like the famous mannequins of the haute couture ateliers. Josh was designed to be lived in and to be a place to spend the day. It is the centerpiece of the living room, the place where everything begins. It feels as comfortable in a city loft as it is in a beach house thanks to the natural touch of cotton, with a texture sewn on it reminiscent of traditional Japanese futons and ikebana printed on linen that are a perfect match between the rough natural fabric and the most modern printing technology.
Bases in injected flame-retardant polyurethane and polyester fiber with internal structure in wood and steel. The seat cushions are in goose down with a polyurethane foam insert. The backrest, armrest and optional cushions are in goose down.
Feet in powder coated steel tube or painted ash wood. The Josh collection is removable.

A project born from the search for a rigorous and measured comfort, containing but with a hint of deformation. Gentry communicates tradition, distinction and belonging, in the rediscovered courage to contrast with subtle irony, the negative judgment of the term "bourgeoisie". The sofa first of all expresses a way of being, a sensitive attitude prone to restoring the balance between discipline and free gesture. The large independent back and seat cushions make conventional as well as casual positions comfortable: “good manners” re-evaluate behaviors that are sometimes disapproved of, it is nice to lie down, rest, read.
Injected flame-retardant foam and polyester fiber with internal steel structure. Bridge feet in chromed or powder coated steel tube. The seat cushions are in goose down with a polyurethane foam insert. The backrest, armrest and optional cushions are in goose down. The Gentry collection is removable.

A collection that, from Big Easy, a steel armchair created by Ron Arad in 1988, demonstrates how a volume, as a simple form, can be translated, without compromising its design principles, through a reinterpretation of materials and production processes. The model obtained from the constructive gesture thus becomes industrial production; the visual softness and the fullness of volumes, comfort. Big Easy explores rotational molding and the use of polyethylene; in the Soft version, cold foaming and, with the polyester fiber coating, the tactile transformation of the surface; in the elements of the collection, the morphology and dynamics of the form.
Internal structure in steel and non-deformable polyurethane foam covered with polyester fiber. The Spring collection is not removable.

The Modernist collection - despite having roots and references in Modernism - stands out for its ambitious attempt to integrate the figurative component, typical of the works of Nipa Doshi and Jonathan Levien, with the linear rationality of the geometric structure of the rectangle. The result, in terms of formal innovation, is an achievement. The two designers contrast the classicism of the composition, the proper attention to the rendering of surfaces and materials, the accentuation of a few significant details: the central button denies and at the same time reworks the bourgeois charm of the capitonné workmanship, while the base moderates the aesthetics of industrial processing, updated in the choice of colors and in the use of laser-cut steel, folded and welded into a single structure. With Casa modernista - a veiled homage to Gregori Warchavchik, a Russian-Ukrainian architect recognized for his role as promoter of modern architecture in Brazil in the 1920s - the formal precision and objective sobriety present in the first models softens towards a greater openness to relaxation and to spontaneity.
The cushions lose their rigor, the seat becomes deeper and more welcoming, the lines relaxed. The sofa, in the change, becomes the transition space between opposing interpretations of time: productive and disconnected, relational and private, temporary and continuous. Casa Modernista completes the basic Modernista project with two sofas modified in size and comfort. Thought for a more residential use, the sofas still maintain the distinctive qualities of the initial project.
Fire-retardant polyurethane foam with different densities and polyester fiber with internal wooden structure. Seat with steel supporting structure and elastic belts. Laser-cut, shaped and powder-coated steel base. Cushions with polyurethane foam insert, polyester fiber and memory foam chip. The Casa Modernista 1 collection is removable. Leather is fixed.

Bevelled mirror

Stylish round wall mirror. Mirror frame in bronze color. This model is made in the Art Deco style.

The wall light is made of painted steel. The luminaire is equipped with an external cable, plug and footswitch. Built-in 15 + 20W warm light LED (35W total power). The package includes a bracket for vertical fastening. Black fabric cable, total length 270 cm (120 cm at switch + 150 cm at plug).

Кровать с жестким основанием, структура из ДСП. Прокладка из пенополиуретана. Ноги из окрашенного черного дерева бука (высота 12 см). Съемный текстильный чехол.

Двуспальная кровать с мягким изголовьем. Кровать отделана тканью темно-серого цвета. Данная модель выполнена в стиле модерн.

Современная и стильная настольная лампа Abilene, это образец комфорта и итальянского мастерства, который украсит собой любое пространство.