Бра

The design of the Valiant wall light is inspired by lighting from the 1920s, given a contemporary feel in a crystal colour version and, for sheer elegance, in a gold colour version created using tiny particles of gold leaf embedded in the glass. The metallic parts are gilded for the gold colour option and chrome for the crystal option. Completing the collection are four chandeliers with six, nine, twelve and eighteen lights respectively.

Twins is a wall sconce with a twisted glass arm, always transparent, which supports a white translucent glass cup. It goes perfectly with the chandeliers of the same collection that, like the sconce, are enlightened by halogen bulbs. The metal parts are chromed or in satinized bronze and the bulbs are included.

With its modern form rendered more traditional using the Rugiada technique, patented in the 20th century by Barovier&Toso, Tuileries is an infinite wall lamp: its perfect symmetry enables the creation of endless compositions of illuminated and non-illuminated elements, always perfectly arranged and enriched by the brushed metallic structure with its warm honey bronze colour. Five models are proposed, intended merely as examples: the opportunities for personalisation are limitless, allowing entire walls to be covered, almost as a sort of luxury panelling. The lighting is 12V LED.

Classically-shaped, almost Greek: a beige gold bowl and an end-decoration of the same colour, joined together by a Doric-inspired stretched stem. The metal parts are gold-plated.

Pendants in blown glass and long chrome-finish candles are the key features of this wall sconce, that matches the three chandeliers included in the Taymyr collection. The lamp has two lights and comes int many astonishing colours. We suggest to use cylindrical bulbs to enhance the elegance of the whole. Metal finishing in polished chrome.

Inspired by the palaces and emotions of sunset in Morocco, Tangeri is a wall sconce with two arms in crystal spangled with specks of gold and with lampshades in black or white textile. The crafted pastorals and spheres, also gilded, adorn the sinuous movement of the arms, with an ethnic flavour. Crystal clear is also available: in this case, metal finishings are polished chrome. The collection include three chandeliers to match.

Став местом встречи опыта и исследований, традиций и новых горизонтов творчества и современного дизайна для светового предложения Chelini Firenze.

Став местом встречи опыта и исследований, традиций и новых горизонтов творчества и современного дизайна для светового предложения Chelini Firenze.

Став местом встречи опыта и исследований, традиций и новых горизонтов творчества и современного дизайна для светового предложения Chelini Firenze.

Franco Raggi, designer of Mood Taif wall sconce, reinterprets a famous Barovier&Toso collection (Taif) giving it a new shape and using modern chromed candle, tubular bulbs and electrical wires decorating the chromed fitting with a “U” shape. The lamp comes with two lights and long crystal pendants that make it shine. Three chandeliers complete the collection.

The perfect synthesis of experience and selected materials wrought with stunning and unequalled harmony. Taif was created in 1980 for the home of the Saudi king in the eponymous city of Taif, whence comes the name. Angelo Barovier, who conceived the design, rethought the image of the traditional Murano wall sconces, preserving the value of blown glass while incorporating new languages. An amalgam, then, of tradition and creativity, of memory and innovation, from which blossoms the time-tested equilibrium of the classical.

A collection of wall lamps with an accent on flowers and nature, which stands out for its delicate design in the form of a corolla, made with the “rugiada” technique to create a refined embroidered look. Leaves overlap to form the image of a blossoming flower, suspended on the wall.

Wall sconce full of specific decorations such as the ampoule shaped pendants, mouth blown in the same colour of the arms, and the pyramids (curled points).

Saint Germain collection features a shining sphere with crumpled 24k gold, positioned under the single lamp holder of the wall lamp. The four chandeliers and the floor lamp that are part of the collection are also enriched with this amazing element, which makes the whole collection very refined. The lampshade can be white or black, the latter can also be chosen with the golden interior. All metal parts are gilded.

Like the chandeliers in the collection (six in total), the Rotterdam wall light features crystal circlets hand-crafted using a technique developed by Barovier&Toso: the “rostrato” method. This feature also graces the table lamp and floor lamp which complete the collection. The lightshades are available in six colours to complement the six colours of glass in which the light comes. The metallic parts are in chrome.

This wall sconce takes its cue from drawings conserved in the precious historical archives of Barovier&Toso, reworked and reformulated with a more modern design. Simple, elegant lines that transcend fashion. Each candle cup holds a little stroke of genius: a “rostrato”, a piece of glass with extruded pointed tips, which hides the lamps from view. Their light is refracted infinitely as it passes through the glass tips that are at the heart of the “rostrato” technique.

Arab and Venetian culture come together in perfect fusion in Riyadh, a wall light with two lights available in two colours: crystal and gold. The light makes a stunning feature, as do the three chandeliers (with six, nine or twelve lights) which complete the collection. The metal parts are gilded for the gold colour version and chrome for the crystal colour version.

Precious and elaborated petals that thanks to the “rugiada” technique seem handmade laces. These wall lamps were very common at the beginning of the 20th century in big cruises and luxury hotels projects but nowadays they are still unique pieces capable to give a retrò touch also to more contemporary projects.

Innovative and modern colors make the Redon collection suitable for today, after the many successes of the past. It includes two wall sconce with two or five lights, the latter 70 cm high. The collection also includes four chandeliers, three of them of considerable size. The whole collection has chrome finishes.

Ran Round is a wall light with curving lines, embellished with a distinctive transparent teardrop pendant adorning each arm and the base. The collection also features six chandeliers and can be accompanied by a Ran table lamp, which shares the distinctive curved lines of all the pieces in the collection. The glass is available in six colours and the shades in five colours. The metal finishings are in chrome.

The Rabat wall light is part of a traditional collection of lights recently recreated in gold and crystal. The new colours bring a sense of lightness to the collection, emphasising the beauty of the traditional Venetian style. The wall light has two lights and is accompanied by the three chandeliers of the collection, available with five, eight or twelve lights. The gold colour option comes with gilded metallic parts, while the other options come with chrome parts.

With twisted arms, fashioned using a centuries-old technique, and an exquisitely-crafted candle cup, Quadri is a graceful wall light with a slightly floral feel. The two-light version comes in five soft colours and a clear crystal candle cup. The one-light version comprises of the candle cup fitted directly to the chrome metal wall support. The collection is completed by four chandeliers with three, six and twelve lights respectively.

The Président collection includes two wall sconces in one- or two-light option, handcrafted with many traditional techniques and richly decorated yet sophisticated. Six chandeliers are also available, in different dimensions for every room space. Metal details are in polished chrome.

These two wall sconces are unique: the lamp holders are upside down and are always in crystal regardless of the colour selected from the six available. Première dame collection includes also four chandeliers, with the same uniqueness and flowing with pendants that make the collection very gorgeous. The shades are pleated in three colours, while metal parts are in polished chrome.

Two ceiling lamps and a wall sconce directly inspired by the Barovier&Toso tradition. A technique patented by Barovier&Toso for the manufacture of the glass elements allows us to obtain a regular white-striped effect on the transparent glass elements. Metal parts with white enamel finish.

An outstanding series of suspension, ceiling lamps and wall sconces featuring elements fashioned with the traditional techniques of Murano glass making.

Daring enhancement of the Murano tradition, the Perseus collection is characterized by a large number of glass elements that represent a compendium of the glassmaking techniques studied and developed by Barovier&Toso in the course of its long history, here reinterpreted, paired, and mixed by Marcel Wanders in a subversive way with respect to the canons of classicism. The wall sconce is perfectly integrated in the collection, with the typical white diffuser and the transparent bow. It is supplied with LEDs light.

Graceful like creatures from a distant planet who are floating among the natives of a fantasy world, Pandora is a family of suspension chandeliers with 5, 8 and 10 arms and a matching two-light wall lamp. The chromed base, which is decorated with a L.E.D. illuminated element (the light source is included), supports the arms rising up into a large lampshade which screens the traditional light bulbs and diffuses the light. The black lampshade is also available with a gilded interior.

A collection that stands out for precious workmanship rigorously done by hand, and the result of stylistic research that draws on history, granting it a contemporary interpretation. Fans of crystal leaves for an intriguing take on Art Deco.

Symmetry, order, perfection and elegances are the muses behind this collection. A tribute to the rationality and balance of the works of Palladio, and the values of formal classical architecture. The selection of colours, in full, non-transparent hues, is a celebration of the material and volume of the object, which is transformed almost into a small work of architecture.