Мебель

Просто, лаконично, практично. В эту комбинацию входит все необходимое — от вместительных ящиков до смесителя, позволяющего экономить воду и энергию. Прекрасно сочетается с любыми стилями и цветами.

Просто, лаконично, практично. В эту комбинацию входит все необходимое — от вместительных ящиков до смесителя, позволяющего экономить воду и энергию. Прекрасно сочетается с любыми стилями и цветами.

Просто, лаконично, практично. В эту комбинацию входит все необходимое — от вместительных ящиков до смесителя, позволяющего экономить воду и энергию. Прекрасно сочетается с любыми стилями и цветами.

A relaunch operation, inspired by a tension towards height. A courteous and careful reinterpretation, oriented towards lightness with the utmost respect for balance and proportion. Gentry Extra Light evolves from the reassuring solidity of the first Gentry indulging in the all-female game of the heel. In the momentum, she seduces and winks, never denying the strength of her personality. The change in height does not distort the posture, but alludes more frankly to the freedom to choose between discipline and indulgence, between conventional use and spontaneity. An all-round lightening, which from the structure reaches the Braid upholstery, deliberately reduced in the scale of the stitching (Baby braid). One of the most successful projects of the company, in a lighter and smaller version. The new Gentry Extra Light renews the idea of ​​an elegant sofa
and compact for use that extends from the home to common spaces.
Injected flame-retardant foam and polyester fiber with internal steel structure. Bridge feet in powder coated steel tube or satin stainless steel. The seat cushions are in goose down with a polyurethane foam insert. The back cushions are in goose down. The Gentry X-Light collection is removable.

Этот гардероб для тех, кто любит, чтобы все было по полочкам. Здесь много места для хранения вещей в сложенном или свернутом виде, а также всего того, что не помещается в ящики.

Этот гардероб для тех, кто любит, чтобы все было по полочкам. Здесь много места для хранения вещей в сложенном или свернутом виде, а также всего того, что не помещается в ящики.

Этот гардероб для тех, кто любит, чтобы все было по полочкам. Здесь много места для хранения вещей в сложенном или свернутом виде, а также всего того, что не помещается в ящики.

Этот гардероб для тех, кто любит, чтобы все было по полочкам. Здесь много места для хранения вещей в сложенном или свернутом виде, а также всего того, что не помещается в ящики.

Этот гардероб для тех, кто любит, чтобы все было по полочкам. Здесь много места для хранения вещей в сложенном или свернутом виде, а также всего того, что не помещается в ящики.

Этот гардероб для тех, кто любит, чтобы все было по полочкам. Здесь много места для хранения вещей в сложенном или свернутом виде, а также всего того, что не помещается в ящики.

Этот гардероб для тех, кто любит, чтобы все было по полочкам. Здесь много места для хранения вещей в сложенном или свернутом виде, а также всего того, что не помещается в ящики.

A project born from the search for a rigorous and measured comfort, containing but with a hint of deformation. Gentry communicates tradition, distinction and belonging, in the rediscovered courage to contrast with subtle irony, the negative judgment of the term "bourgeoisie". The sofa first of all expresses a way of being, a sensitive attitude prone to restoring the balance between discipline and free gesture. The large independent back and seat cushions make conventional as well as casual positions comfortable: “good manners” re-evaluate behaviors that are sometimes disapproved of, it is nice to lie down, rest, read.
Injected flame-retardant foam and polyester fiber with internal steel structure. Bridge feet in chromed or powder coated steel tube. The seat cushions are in goose down with a polyurethane foam insert. The backrest, armrest and optional cushions are in goose down. The Gentry collection is removable.

The Gemma collection has evolved around the idea of contrast and the experience that comes from the perception of a shape. The sharp asymmetry of its three-dimensional geometry contrasts with the softness of its padding. Its faceted profile evokes both a precious stone and the typical compositions of Italian tapestries of the fifteenth century. The collection is representative of the synergy between the complex geometries of Libeskind and the well-known know-how of Moroso.
Libeskind was deeply inspired by natural geological forms: crystals, gems, natural rock formations. For the Moroso collection, the design incorporates the asymmetrical facets of gems and has a dual meaning: to create a sculpture for the home or office and to connect with Libeskind's work.
Non-deformable fire-retardant polyurethane foam in different densities with internal structure in resin-coated polystyrene. The Gemma collection is not removable.

A collection that, from Big Easy, a steel armchair created by Ron Arad in 1988, demonstrates how a volume, as a simple form, can be translated, without compromising its design principles, through a reinterpretation of materials and production processes. The model obtained from the constructive gesture thus becomes industrial production; the visual softness and the fullness of volumes, comfort. Big Easy explores rotational molding and the use of polyethylene; in the Soft version, cold foaming and, with the polyester fiber coating, the tactile transformation of the surface; in the elements of the collection, the morphology and dynamics of the form.
Internal structure in steel and non-deformable polyurethane foam covered with polyester fiber. The Spring collection is not removable.

From the hand that alone draws on the paper during a phone call, traces of thought come out. Innocent reflections marked by an accumulative progression, spontaneous gestures, scribbles; one starts from a line, one arrives at an articulated and complex composition. It is the pretext for embroidery. The sofa project takes the shape of a folded blanket. The seat is delicate, absorbed, the armrests soft, the shape welcoming. The quilted upholstery follows the lines of the scribble, giving it three-dimensionality. It is a thought that welcomes us, a daydream.
Injected flame-retardant foam and polyester fiber with internal structure in resin and steel. Feet in steel tube powder coated and covered in leather with insoles in black polypropylene. A very soft leather should be used, the Elmo Soft or Soft Ciré with embroideries always in tone with the skin color available in many colors. The Doodle collection is not removable.

An intuition derived fr om the language of carpentry is the distinctive feature of a new modular system for its formal construction and innovative for its compositional flexibility. If from a literal point of view the term chamfer indicates a bevel created with the 45 ° cut of a right angle, in the sofa it expresses a double expansion of perspective, aesthetic and functional. Externally, the bevel softens and acts as a guide, giving the overall dimensions a spatial and architectural value; internally, the angle encloses and supports, favoring a versatile seating style that is well suited to the home environment as well as to use in public spaces.
Through five modules, different in terms of extension and depth, and a single connection, it is possible to imagine a multiplicity of combinations, from the simple specular juxtaposition to the most complex geometric sequences. The sign is strong, recognizable in the references to the deconstruction carried out with Lowland (2000) and to the sophisticated design of Redondo (2010) or M.a.s.s.a.s (2012). The term "chamfer" refers to the architectural detail of the "rounded corner". Hence the plan shape of the sofa, which characterizes all the elements of the seating system. Versatile, flexible, sumptuous, these sofas welcome us in a big and elegant embrace.
The Chamfer sofa celebrates Moroso's twenty years of collaboration with Patricia Urquiola: "In discussing this anniversary with Patrizia, for the twenty years of collaboration, we decided to work on a simplification of a series of echoes deriving from projects made in the past , for example by linking us to Redondo and other sofas which for us represented a sort of 'cradle', a nest. We lowered, we geometrized, we brought to purer, cleaner lines and this corner came out, this broken edge as the English say, this Chamfer, a word that recurs in architecture wh ere, when we join two lines in a curve, we join them in chamfer. "(Patricia Urquiola)
Non-deformable fire-retardant cold-foam polyurethane foam with differentiated density and polyester fiber with internal wooden structure. Feet in black polypropylene. Optional cushions in polyester fiber and memory foam chip. All elements are supplied complete with ABS joining devices. The Chamfer 1 collection is removable.

The Modernist collection - despite having roots and references in Modernism - stands out for its ambitious attempt to integrate the figurative component, typical of the works of Nipa Doshi and Jonathan Levien, with the linear rationality of the geometric structure of the rectangle. The result, in terms of formal innovation, is an achievement. The two designers contrast the classicism of the composition, the proper attention to the rendering of surfaces and materials, the accentuation of a few significant details: the central button denies and at the same time reworks the bourgeois charm of the capitonné workmanship, while the base moderates the aesthetics of industrial processing, updated in the choice of colors and in the use of laser-cut steel, folded and welded into a single structure. With Casa modernista - a veiled homage to Gregori Warchavchik, a Russian-Ukrainian architect recognized for his role as promoter of modern architecture in Brazil in the 1920s - the formal precision and objective sobriety present in the first models softens towards a greater openness to relaxation and to spontaneity.
The cushions lose their rigor, the seat becomes deeper and more welcoming, the lines relaxed. The sofa, in the change, becomes the transition space between opposing interpretations of time: productive and disconnected, relational and private, temporary and continuous. Casa Modernista completes the basic Modernista project with two sofas modified in size and comfort. Thought for a more residential use, the sofas still maintain the distinctive qualities of the initial project.
Fire-retardant polyurethane foam with different densities and polyester fiber with internal wooden structure. Seat with steel supporting structure and elastic belts. Laser-cut, shaped and powder-coated steel base. Cushions with polyurethane foam insert, polyester fiber and memory foam chip. The Casa Modernista 1 collection is removable. Leather is fixed.

Normality as intuition, as a principle of formal research that requires referring to tradition and, at the same time, denying it. There is no desire to break, no attempt to redefine aesthetic standards or models, but rather the will to rediscover the path of "timelessness" in the idea of simple, balanced and functional elegance. The attention then falls on the value of the coatings, on the quality of the finishes and details, on the small adjustments made to make the experience of beauty daily (and normal).
Injected flame-retardant foam and polyester fiber with internal steel structure. Feet in powder coated steel. Polypropylene insoles. The cushions are in differentiated density polyurethane foam and polyester fiber. The Bold collection is removable.

Confronting the "capitonné" interpreting it in an original way, revolutionizing the concept. Patricia Urquiola designs a family of products whose shape seems liquid, as if melting on the structure, creating soft, enveloping, almost casual lines, where the fabric or leather are fixed to the shell with press studs. The object seems to wear a shawl on the shoulders, a series of cushions of various types are superimposed on the seat: an almost obsessive, rich search for upholstery, overlapping of different leathers and materials, colors, fabric processing. A sort of luxury patchwork that, when worn, gives the object a nomadic and global spirit.
Injected flame-retardant foam with internal structure in resin and wood. Feet in polypropylene. The optional back and seat cushions are in goose down. The sofas (codes 018 and 003) have 2 back cushions as standard.

Comfort and softness first of all. An open source sofa, a design choice that favors the comfort aspect of the seat that is always more enveloping and soft in its visual and formal impact. The structure is embraced by knitted straps that slip between the soft cushions, encouraging pure relaxation. The pleated lining emphasizes the undefined light-heartedness of the shape, accentuated by the use of knitted fabric for the belts that contain it. A deconstructed sofa with an atypical construction: an aluminum structure that can be freely composed by combining the different components that interact with each other in the name of harmonious customization.
Padding in fireproof polyurethane foam, polyester fiber and memory foam chip. Structure in extruded aluminum and feet in powder-coated cast aluminum. Upholstery only in fabric with leather belts. The Belt collection is removable.

Классика, представленная в новой привлекательной форме, способна вписаться в самые элегантные интерьеры.

Классика, представленная в новой привлекательной форме, способна вписаться в самые элегантные интерьеры.

Классика, представленная в новой привлекательной форме, способна вписаться в самые элегантные интерьеры.

Классика, представленная в новой привлекательной форме, способна вписаться в самые элегантные интерьеры.

Классика, представленная в новой привлекательной форме, способна вписаться в самые элегантные интерьеры.

Классика, представленная в новой привлекательной форме, способна вписаться в самые элегантные интерьеры.

Классика, представленная в новой привлекательной форме, способна вписаться в самые элегантные интерьеры.

Классика, представленная в новой привлекательной форме, способна вписаться в самые элегантные интерьеры. Эта коллекция отличается необычными конструктивными деталями и особой обработкой поверхностей, дающей эффект видимой структуры дерева.

Элегантная коллекция Elegant представляет собой смесь современного и старинного ретро-дизайна: ее формы легко адаптируются к классическому местоположению, благодаря вневременному сочетанию мрамора и дерева.

Коллекция Elegant - это сочетание современного дизайна и винтажного стиля: линий, которые адаптируются как к классическим, так и к современным условиям благодаря вечному сочетанию мрамора и дерева.