Диваны

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

Серия модульных диванов с каркасом из многослойной фанеры и массива бука.

A functional sculpture, an enveloping and comfortable reading chair, resistant but at the same time light, suspended as if to defeat gravity. Paper Planes was born from the design of a fabric inspired by graph paper: a shape derived from folding and pointing paper exploring shapes and structures, producing angles, lines and polygons. The apparent simplicity, however, requires a masterful sartorial skill. During the basting phase, the lines of the decoration, given the geometric particularity of the seat, impose a perfect convergence, not leaving the master craftsman the slightest margin for error.
Cold-foamed fire-retardant polyurethane foam with internal steel structure. Base in square steel tube painted with matte finish. Steel insoles with brass or chrome finish. The color combinations of the Paper planes collection coverings shown on the following pages are recommended by the designers. Versions available in graphic jacquard, with Swarovski crystals or in Hallingdal plain color and embroidered designer signature. The Hallingdal solid color version is available at the same price even without an embroidered signature: specify WITHOUT EMBROIDERY on the order. The Paper planes collection is not removable.

Putting the coarse before the fine, preferring a choice that goes against the trend of the more common research on the thin shape. And, despite this, keep yourself light, light. The project is thus structured around the most reassuring aspect of oversize: simplicity. The essential and sturdy structure is built with a powder-coated aluminum tube with a diameter of 80 mm. Resting on it, a seat cushion with a rounded body, a veiled suggestion to the idea of ​​the inflatable module. The backrest, like a bold parenthesis, promises comfort. The effect, in addition to the natural sympathy, is that of a pleasant roundness, casual and light.
Seat in fire-retardant non-deformable polyurethane foam with differentiated densities and polyester fiber with internal wooden structure. Back in injected flame-retardant foam and polyester fiber. Sled base in chromed or painted steel. Transparent PVC insoles. The Pipe collection is not removable.

A new fabric for a new way of sitting. The new sitting philosophy will likely come closer to the concept of lying down. The seat height is lower than normal, and the open design of the piece of furniture allows greater freedom of movement. The spatial dimensions, the overlapping patterns and the use of color are central considerations in the design of the fabric. The first sketches and scale models by Scholten & Baijings consist of soft rectangular daybeds that lend themselves to various uses: sitting, leaning, lounging or relaxing, alone or in company. The use of fouton typical of Japanese homes served as an important source of inspiration.
In the second phase of the project, the idea of ​​using the ancient Ottoman Empire as an imaginary starting point was born. The footstool is also called Ottoman. Ottoman history provides splendid examples of decorative fabrics for interiors combined with low seating, aimed at encouraging social interaction between people. The images evoked are those of drinking tea, smoking a water pipe or the joy of a shared meal. In addition, there are several examples of brightly colored fabric designs with clear graphic patterns used in open and spacious interiors.
The furniture design is different from that of the fabrics. Ottoman design is characterized by rounder, softer and more organic shapes. This contrasts with the angular color compositions of the fabrics, creating a magnificent symbiosis. However, they both work effectively on their own as well.
Shell in injected flame-retardant polyurethane on internal steel structure. Cushions with insert in fireproof polyurethane foam, polyester fiber and memory foam chip. Base in powder coated steel. The Ottoman collection is not removable.

Born from the desire to break free from the angular and cubic lines typical of modern sofas, Josephine is characterized by rounded and sinuous shapes that give life to the armrests and back, three distinct pieces that embrace the seat like the petals the corolla of a flower. The proportions are gentle, further lightened by the seat visibly raised from the ground.
A product balanced in its proportions that evokes its femininity from its name, a deliberate reference to Joséphine Baker, an emancipated character and icon of provocation in the 1930s, known for her African-American beauty, but also for her marked irony and her transformism.
Available in sofa or vis-à-vis variants designed for contract, but easily declinable also in a domestic version.

Rift, a loanword which in geology means crack, is a seating system that crosses the spaces of contemporary domestic living. Unlike modular systems based on the rational use of geometry, Rift is built on an unpredictable and asymmetrical arrangement of volumes, a designed randomness inspired by the unpredictable effects of nature. Multi-level pitches stimulate an informal session, also for the staff in collective use: like tectonic plates, the different layers tend to collide and overlap in an original effect of movement, making rigid and formal places fluid without altering their identity.
Elements in fire-retardant non-deformable polyurethane foam with different densities and polyester fiber with internal wooden structure. Feet in black polypropylene screwed to the structure. The Rift collection is not removable.

A collection characterized by the combination of two volumes, an upholstered shell that continuously wraps the large seat cushions. Curved shapes enhanced by the total absence of edges and the softness of the fabric, a sensory stimulus embellished with a quilted decoration where the thread, like a pencil, marks an elegant three-dimensional geometry. Redondo, in the design, is inspired by the upholstered interiors of American cars of the 1950s and 1960s, the soft shapes of the bodywork, the on-the-road comfort that accompanied on long journeys between the East and West Coast. For the viewer, the point of view is that of a stage where small everyday stories happen.
Elements in differentiated density polyurethane foam and polyester fiber with internal wooden structure. The seat cushions are in polyurethane foam and polyester fiber. The optional back cushions are in goose down. The Redondo collection is removable

The new Pacific collection, designed by Patricia Urquiola for Moroso creates intimacy in the almost "protective" seat, for an enveloping idea of ​​comfortable relaxation. With its round and oversized shapes, it evokes the relaxed and relaxed atmosphere of the American West Coast, from which it takes its name.
Pacific is the continuation of the design process begun with the iconic Redondo collection designed by Patricia Urquiolan in 2010. "It is the evolution of a collection that has had and is very successful in recent years also for the innovative and luxurious use of surface finishes" , says Patrizia Moroso, Art Director of the company. "With Pacific, on the other hand, we worked more on the shape in the plan and on the current return of curved and generous lines".
In the Pacific sofa the soft shapes are enhanced and defined by the total absence of edges and by the “couture” details. The soft and woolly fabric, chosen to create an extraordinary tactile effect, can be, for example, a refined bouclé, a soft wool or a luxurious velvet.

My Beautiful Backside is a collection of seats in which the backrests are a colorful composition with cushions in various shapes. The use of symbols, such as buttons on the pillow shoulders, are the way to communicate a series of messages. These symbols also provide a means for the personalization of each seat, making it unique, just like in a piece of clothing. The upper mattress is covered with a composition of different objects inspired by a contemporary princess and embroidered in gold and silver.
Seats in non-deformable polyurethane foam with different densities and polyester fiber with internal wooden structure. Backrests in injected flame-retardant foam with internal steel structure. Feet in natural walnut with brass-plated metal insoles. The My Beautiful Backside collection is not removable.

The Modernista project is inspired by tailored men's suits: wonderfully sewn garments, with a refined taste for materials and details. Modernist strictly follows the geometric structure of the rectangle, within which it is possible to explore light shapes and exact proportions. The light padding is softened by the use of buttons that recall a delicate capitonné workmanship as well as creating a delicate and elegant decoration.
A refined collection with a classic flavor designed to offer discreet elegance to those environments that require a touch of lightness, without sacrificing attention to detail.

Blocks blunted by the cut of an imaginary blade. The geometric order is broken, overwhelmed in favor of a movement, of a margin that crosses the perimeters. The faces show the ribs; some seams, evident as basting, draw it, others disappear. Use is free, the surface is soft. The external shape, fr om the point of view of volumes, appears independent of the structure and internal padding. Sofa, armchair, small armchair: a modular system wh ere each element maintains its character independent, for function and sculptural presence.
Seat in fire-retardant non-deformable polyurethane foam with differentiated densities and polyester fiber with internal wooden structure. Back and armrests in injected flame-retardant foam with internal steel structure. The M.A.S.S.A.S. it is removable. The fabrics of the collection are coupled with polyester fiber and polyurethane to give special support to the upholstery.